In a recent interview with The Age, director Kriv Stenders characterises his ability to continue working as a marker of success. He’s not wrong. Sift through the back catalogue of films covered on Down Under Flix and you’ll find an abundance of directors who debuted and bowed out with a single film (e.g. Dating the Enemy’s Megan Simpson Huberman, Beyond Innocence’s Scott Murray, Bondi Tsunami’s Rachael Lucas) or who struggled to generate output following earlier successes. Stenders remains productive and prolific, with a new film, Australia Day, on this year’s festival circuit and a television remake of Wake in Fright in the works. He’s also found a measure of mainstream success with his Red Dog films. The first, 2011’s Red Dog, is a modern family classic, a spunky, funny tearjerker and one of the best local films of the 21st century. Its follow-up, 2016’s Red Dog: True Blue, got a lukewarm reception but it’s a nice old school Australian bildungsroman with a light touch and a canine co-star in the Storm Boy/Blue Fin tradition. The films that launched Stenders’ career, however, are very different animals.