Aussiewood: Ricochet (1991), Blue Ice (1992), The Real McCoy (1993)

COnnery

This latest installment of Down Under Flix’s Aussiewood series chronicling the adventures and misadventures of Australian filmmakers abroad deals with Russell Mulcahy. This isn’t the first time I’ve written about Mulcahy on this website – see my review of his 2003 sports biopic Swimming Upstream – but it’s my first time writing about the director’s signature action fare. Following his inventive creature feature debut Razorback (1984) and the cult success of Highlander (1986), the stalwart music video director looked to be on an upward trajectory as a filmmaker. However, Mulcahy was fired two weeks into production on the Sylvester Stallone vehicle Rambo III (1988) because he wasn’t shooting enough close-ups of its hubristic star, and the subsequent production and release of the much-maligned (and deservedly so) Highlander II: The Quickening (1991) was a ghastly, pained process. RicochetBlue Steel, and The Real McCoy followed those professional debacles in quick succession, and these three films feel like exercises in directorial penitence: they’re moderately budgeted, straight-down-the-line mainstream features and are largely inoffensive, discounting the innately quippy immorality of the Joel Silver era of action cinema that Ricochet slots into.

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Down Under Flix 2016 Review

end-of-review

It’s that time of year when film critics and commentators, both legit and impostors like myself, assemble their end-of-year lists praising and burying the year just gone. Given Down Under Flix’s focus on Australian films, particularly older ones, attempting a global review of the year in cinema is well outside my jurisdiction. Instead, I’ll be listing my top five new Australian releases of 2016, followed by the top ten films covered on/for Down Under Flix over the past seven months.

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Swimming Upstream (2003)

swimming_upstream poster

Director: Russell Mulcahy

Stars: Geoffrey Rush, Judy Davis, Jesse Spencer

First viewing, via DVD

A quarter of a century ago, Russell Mulcahy’s music video for ‘Video Killed the Radio Star’ became the first ever screened on MTV. As a music video director, Mulcahy helped define the form and helmed many of the medium’s most iconic, bombastic clips, including Bonnie Tyler’s ‘Total Eclipse of the Heart’ and a good portion of the Duran Duran catalogue. As a filmmaker, he’s best known for genre fare (action, sci-fi, horror), from Ozploitation gem Razorback and cult classic Highlander to recent episodes of TV’s Teen Wolf.

Suffice to say, when I think of Russell Mulcahy, I think of smoky visuals, dramatic backlighting and shafts of light, killer swine hating on humans, sword-fighting immortals decapitating each other, Christopher Lambert as a Scotsman, Sean Connery as an Egyptian, and Queen. A modest drama about sibling swimmers pressured into competition by an abusive, alcoholic father doesn’t spring to mind, but Mulcahy defies pigeonholing with Swimming Upstream.

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