Director: Phillipe Mora
Stars: Alan Arkin, Christopher Lee, Michael Pate, Bill Hunter, Kate Fitzpatrick
Last year marked the end of my long infatuation with superhero films. For almost two decades I regularly made the pilgrimage to the multiplex to see the latest superhero joints, and while I retain some anthropological curiosity about the genre, 2016’s unfortunate double whammy of X-Men: Apocalypse and Suicide Squad killed most of my affection for and investment in it. Even so, as a former genre apologist and a writer on Australian film, I’ve long had a hankering to see Phillipe Mora’s 1983 film The Return of Captain Invincible, one of Australia’s very few attempts at a superhero movie, albeit a parody.
Continue reading “The Return of Captain Invincible (1983)”
Last month I reviewed two films headlined by the late, great John Hargreaves. Today’s piece spotlights two films from another great Australian actor of similar vintage. To say Jack Thompson is iconic is an understatement. He was one of the brightest new stars of the Australian New Wave, appearing in both lead and supporting roles in stone cold classics like Wake in Fright, Sunday Too Far Away, The Chant of Jimmie Blacksmith, and Breaker Morant as well as interesting flicks like Petersen, Caddie, Mad Dog Morgan, The Club, and The Journalist. He was the first male centerfold in Australia’s Cleo magazine, was awarded the first Best Supporting Actor gong at the Cannes Film Festival for Breaker Morant, was the only logical choice to embody Clancy of the Overflow in The Man from Snowy River, hosted a travel program called Jack Thompson Down Under, and in recent years has alternated between roles in Australian films and supporting turns as men of influence (lawyers, politicians, military men, businessmen) in American films. This piece highlights two star turns from Thompson’s filmography separated by twenty years: 1975’s Scobie Malone and 1994’s The Sum of Us.
Continue reading “Jack Thompson double feature: Scobie Malone (1975) and The Sum of Us (1994)”