This week’s review pairs two youth-centred Australian films of very different vintages and aesthetics. 1987’s The Year My Voice Broke is a traditionally-shot, rural-set period film (though originally shown on television) directed by John Duigan (Sirens) and produced by Mad Max creator George Miller. The film earned several Australian Film Institute Awards including Best Picture and Director, and a restoration of the film is scheduled to screen as part of next month’s Sydney Film Festival. In contrast, 2015’s Stanley’s Mouth is a non-traditionally shot, micro-budgeted, urban-set contemporary drama from independent director Mike Retter. The film screened at the Adelaide Film Festival in 2015 and is freely available on YouTube in several different formats.
Continue reading “Joint Review: The Year My Voice Broke (1987) and Stanley’s Mouth (2015)”
Director: George Whaley
Stars: Leo McKern, Geoffrey Rush, Joan Sutherland, Noah Taylor, Ray Barrett, Barry Otto, Essie Davis, David Field
First viewing, via DVD
The characters of Dad, Dave, and the rest of the Rudd farming family date back over 100 years. Author Steele Rudd (aka Arthur Hoey Davis) began composing Dad and Dave’s adventures in the late 1800s, and the first 26 stories were collected into the book On Our Selection in 1899. Further adventures followed and the characters went on to appear in other mediums: there was a stage play in the 1910s; a silent film in 1920; a quartet of sound films directed by Ken G. Hall starting in 1932; and a radio series spanning from the late 1930s to early 1950s. While the characters haven’t figured in the cultural landscape too prominently in recent years, there’s no denying their place in popular culture: a large billboard for 1938’s Dad and Dave Goes to Town (which marked the film debut of Peter Finch) stands alongside similar commemorative billboards for Jedda, Picnic at Hanging Rock, Storm Boy, and Crocodile Dundee at Sydney’s Moore Park/Fox Studios entertainment precinct.
George Whaley’s 1995 film Dad and Dave: On Our Selection revived the characters for late twentieth century audiences, and was designed to celebrate that year’s centenary of Australian cinema, as declared in the film’s end credits. The film adapts a number of Rudd’s stories and chronicles the exploits of the Rudd family and farm. Dad (Leo McKern) runs for state parliament against the slippery JP Riley (Barry Otto); Mother (Joan Sutherland) tends to house and home; oldest son Dave (Geoffrey Rush) falls in love, as does sister Kate (Essie Davis); and wayward son Dan (David Field) proves a miscreant, to name just a few story threads.
Continue reading “Dad and Dave: On Our Selection (1995)”