Down Under Flix took a break over December and early January while I traveled overseas for Christmas. But while you can take the Australian film reviewer out of the country, you can’t take the Australian film reviewer out of the Australian film reviewer, particularly when they also took Australian films to review out of the country. If that makes sense. Either way, here are some short reviews from my Christmas season viewing, all interesting films worthy of full reviews at some point.
Continue reading “Down Under Flix’s Christmas 2017 viewing”
Director: Henri Safran
Starring: John Ewart, John Howard, Nicole Kidman, Manalpuy, Mark Spain, James Wingrove, Peter Sumner, Vineta O’Malley
Bush Christmas is not, as its title implies, a film about how George H.W. and George W. spend their Christmas vacation. Rather, it’s another entry in Australia’s modest canon of cinematic yuletide yarns. Last year, David Swann’s Christmas comedy Crackers got the Down Under Flix seasonal treatment (read our review here), and this year Henri Safran’s family film goes under the spotlight.
Continue reading “Bush Christmas (1983)”
Director: Jane Campion
Stars: Nicole Kidman, John Malkovich, Barbara Hershey, Martin Donovan, Viggo Mortensen, Shelley Winters, Shelley Duvall, Richard E. Grant
Second viewing, via DVD
The Portrait of a Lady opens with voiceover of modern liberated women (with predominantly Antipodean accents) talking about kissing. A montage follows during the film’s opening credits, showing contemporary women of different cultural backgrounds lying in a circle, dancing, staring into camera, and so on. The film then cuts to Nicole Kidman—as the film’s heroine Isabel Archer—in 1870s England, dressed in period garb, frizzy hair severely curtailed, and hiding away following an unwanted marriage proposal. The film’s opening minutes nicely encapsulate Campion’s interest—an interest that pervades her filmography— in women both past and present, their spirits and agency, and attempts to domesticate and discipline them by various, frequently patriarchal entities.
Continue reading “Aussiewood: The Portrait of a Lady (1996)”