Director: Rolf De Heer
Stars: Colin Friels, Miles Davis, Helen Buday, Joe Petruzzi
This month is AUSgust, a month devoted to Australian film appreciation masterminded by The Curb’s Andrew Peirce. You can read about AUGgust here and follow along on social media using the hashtag #AUSgust. The work of Rolf De Heer is the theme for Day 2, so here’s a review of De Heer’s 1991 film Dingo. You can also read my take on De Heer’s 2001 film The Old Man Who Read Love Stories here.
In a 2003 book advocating against dodgy grammar, Lynne Truss shows how an innocuous description of a panda (“Panda: eats shoots and leaves”) can be warped into something more sinister with the introduction of an extra comma: “Panda: eats, shoots and leaves”. Grammar quandaries aside, that phrase “eats, shoots and leaves” always struck me as an apt description of Australian filmmakers who shoot some features locally before leaving for international pastures and bigger opportunities, a trend that started with the Australian New Wave crop (Beresford, Armstrong, Weir, Miller, Schepisi, Noyce) and continues to this day, with exports of the past decade including John Hillcoat, David Michod, Justin Kurzel, Patrick Hughes, and newly minted blockbuster helmer Cate Shortland. Of directors who have stayed put and enjoyed long and prolific careers locally, Paul Cox and Rolf De Heer are exemplars, though the latter has flirted with international co-productions on two occasions, the first being 1991’s Dingo.