Double feature: Love and Other Catastrophes (1996) and Youth on the March (2017)

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Director: Emma-Kate Croghan

Starring: Frances O’Connor, Matt Day, Alice Garner, Radha Mitchell, Matthew Dyktynski

In 1992, Quentin Tarantino kicked off Reservoir Dogs with a monologue about Madonna’s ‘Like a Virgin’. In 1994, Kevin Smith punctuated Clerks with a conversation lamenting the fate of the Death Star construction workers in Return of the Jedi. At the risk of simplification, 1996’s Love and Other Catastrophes feels like a film both by and about the very kids that Tarantino and Smith sent scurrying to film school. Tarantino’s venerated status among 1990s movie disciples is even acknowledged in a surreal scene midway through the film (more on that later). A few weeks ago, I commented on Dogs in Space as a timestamp of both when it was set and when it was made; in the case of Love and Other Catastrophes, you can pinpoint not just the era, but practically the month, date, and day of the week it was shot.

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Joint Review: The Year My Voice Broke (1987) and Stanley’s Mouth (2015)

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This week’s review pairs two youth-centred Australian films of very different vintages and aesthetics. 1987’s The Year My Voice Broke is a traditionally-shot, rural-set period film (though originally shown on television) directed by John Duigan (Sirens) and produced by Mad Max creator George Miller. The film earned several Australian Film Institute Awards including Best Picture and Director, and a restoration of the film is scheduled to screen as part of next month’s Sydney Film Festival. In contrast, 2015’s Stanley’s Mouth is a non-traditionally shot, micro-budgeted, urban-set contemporary drama from independent director Mike Retter. The film screened at the Adelaide Film Festival in 2015 and is freely available on YouTube in several different formats.

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