Hacksaw Ridge (2016)

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On Sunday 11 November (Remembrance Day) at 11am, pay tribute to those who have died in military combat through a minute of silence …

Director: Mel Gibson

Stars: Andrew Garfield, Vinge Vaughan, Sam Worthington, Hugo Weaving, Rachel Griffiths, Teresa Palmer

Last month I reviewed Bruce Beresford’s Black Robe, and it got me thinking about depictions of Christianity in Australian cinema. In Hollywood’s heyday, Biblical epics were a genre unto themselves and a commercial force not unlike today’s superhero films; indeed, adjusted for inflation, The Ten Commandments and Ben-Hur are among the most successful films of all time, far out-grossing anything from the Marvel Cinematic Universe. Beyond that genre, classic Hollywood depictions of Christianity were heavily informed by the Motion Picture Production Code (colloquially known as the Hays Code) which prohibited ridicule of the clergy or depicting religion in a negative light. While contemporary mainstream Hollywood fare errs to the secular, earnest depictions of Christianity persist in the faith film, a very American genre that’s enjoyed striking successes in recent years (see Heaven is for Real, War Room, or this year’s I Can Only Imagine). In contrast, in Australian cinema only a handful of films centre on Christian protagonists: The Devil’s Playground, based on Fred Schepisi’s days in a Catholic seminary; A Cry in the Dark, Schepisi’s sympathetic portrait of Seventh Day Adventists Lindsay and Michael Chamberlain following the disappearance of their daughter Azaria; and international co-productions such as Paul Cox’s historical film Molokai: The Story of Father Damien and the abovementioned Black Robe (Beresford also helmed the Hollywood Biblical feature King David). Nonetheless, look at the list of most successful Christian films on Box Office Mojo and you’ll find a number of Antipodean threads: the Chronicles of Narnia films were made in New Zealand and utilised local craftspeople; cinematographer Dean Semler shot Heaven is For Real; Sam Worthington and Radha Mitchell headline The Shack; Australian Christian band Hillsong United is the subject of documentary Hillsong: Let Hope Rise; and the highest grossing Christian film (unadjusted for inflation) was helmed by an Australian actor-director: Mel Gibson.

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Down Under Flix’s Christmas 2017 viewing

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Down Under Flix took a break over December and early January while I traveled overseas for Christmas. But while you can take the Australian film reviewer out of the country, you can’t take the Australian film reviewer out of the Australian film reviewer, particularly when they also took Australian films to review out of the country. If that makes sense. Either way, here are some short reviews from my Christmas season viewing, all interesting films worthy of full reviews at some point.

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Down Under Flix 2016 Review

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It’s that time of year when film critics and commentators, both legit and impostors like myself, assemble their end-of-year lists praising and burying the year just gone. Given Down Under Flix’s focus on Australian films, particularly older ones, attempting a global review of the year in cinema is well outside my jurisdiction. Instead, I’ll be listing my top five new Australian releases of 2016, followed by the top ten films covered on/for Down Under Flix over the past seven months.

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