Director: Phillipe Mora
Stars: Alan Arkin, Christopher Lee, Michael Pate, Bill Hunter, Kate Fitzpatrick
Last year marked the end of my long infatuation with superhero films. For almost two decades I regularly made the pilgrimage to the multiplex to see the latest superhero joints, and while I retain some anthropological curiosity about the genre, 2016’s unfortunate double whammy of X-Men: Apocalypse and Suicide Squad killed most of my affection for and investment in it. Even so, as a former genre apologist and a writer on Australian film, I’ve long had a hankering to see Phillipe Mora’s 1983 film The Return of Captain Invincible, one of Australia’s very few attempts at a superhero movie, albeit a parody.
Continue reading “The Return of Captain Invincible (1983)”
Sport has long occupied a key place in Australian culture. As noted by Daryl Adair in his essay ‘Making sense of Australian sport history’, the earliest British migrants used sport to maintain links with their country of origin, while subsequent generations helped forge a national identity on the world stage via their sporting prowess. Adair also notes that Australia’s coasts and surf culture have facilitated an array of water-based sports, and in recent years the AFL, among others, has contributed to the reconciliation agenda as a prominent employer of Indigenous athletes. In light of this national pastime, this week Down Under Flix spotlights three sports-centric films from the late 1970s and early 80s.
Continue reading “This Sporting Life: Dawn! (1979), The Club (1980), and The Coolangatta Gold (1984)”
Director: George Miller
Stars: Barry Humphries, Pamela Stephenson, Andrew Clarke, Hugh Keays-Byrne
First viewing, via SBS on Demand
Down Under Flix will be taking a break for the rest of September, and will resume business in early October. Since the website kicked off with a broad, crude, deliberately cringe-worthy Australian comedy, there’s a nice symmetry in ending this first “season” with another flick of this ilk: 1987’s Les Patterson Saves the World, directed by George Miller of The Man from Snowy River fame (not George Miller of Mad Max and Babe fame).
For those unfamiliar with the character Les Patterson, conceived and performed by Barry Humphries, David Stratton provides an apt thumbnail: “a kind of latter-day Toby Belch, a larger-than-life caricature of a nouveau-rich bon vivant – belching, farting, womanising and chundering his way through life with scant regard for the sensibilities of others” (The Avocado Plantation, pp. 306–307). Miller’s film brought Humphries’ lecherous, vulgar, perpetually intoxicated elder statesman – whom he’d been performing on stage and television for over a decade – to the silver screen.
Continue reading “Les Patterson Saves the World (1987)”