Director: Bruce Beresford
Stars: Maynard Eziashi, Pierce Brosnan, Beatie Edney, Edward Woodward
First viewing, via DVD
My admiration and fondness for Bruce Beresford’s work is well-documented: see my previous reviews of such diverse fare as the excellent The Fringe Dwellers, the entertaining The Club, the red-headed larrikin stepchild Barry McKenzie Holds His Own, and the decidedly mixed bag of American films that is King David, Crimes of the Heart, and Last Dance. Beresford has done stronger work overseas than those three median efforts; indeed, based on the one-two-three punch of 1989’s Driving Miss Daisy, 1990’s Mister Johnson, and 1991’s Black Robe, Beresford should be heralded as one of the finest working directors of that period. As it stands, Driving Miss Daisy reaped all the glory (and the inevitable post-awards backlash) and Black Robe’s reputation has blossomed steadily over time, but Mister Johnson was and remains virtually unknown. Beresford himself notes that it was “the best reviewed film I ever made by far, and seen by no-one” (There’s a Fax from Bruce, p. 166).