Director: Peter Duncan
Starring: Richard Roxburgh, Barbara Hershey, Claudia Karvan, Emily Woof, Simon Burke
Troubled pianists were, briefly, a big deal in Australian cinema. There was 1996’s Shine, Scott Hick’s impeccably made biopic of David Helfgott which scored Geoffrey Rush an Academy Award for Best Actor, and then there was 1999’s Passion, a lesser-known biopic of Australian-born composer and pianist Percy Grainger. Peter Duncan’s film chronicles the early stages of the artist’s international career, as the Hobbit-looking Grainger (played by Richard Roxburgh) finds fame but is handicapped in his life and romantic relationships by his predilection for self-flagellation and the “unnatural hold”, to quote the film, that his mother (Barbara Hershey) exerts over him.
Continue reading “If music be the food of love… Passion (1999) and Garage Days (2002)”
Director: Jane Campion
Stars: Nicole Kidman, John Malkovich, Barbara Hershey, Martin Donovan, Viggo Mortensen, Shelley Winters, Shelley Duvall, Richard E. Grant
Second viewing, via DVD
The Portrait of a Lady opens with voiceover of modern liberated women (with predominantly Antipodean accents) talking about kissing. A montage follows during the film’s opening credits, showing contemporary women of different cultural backgrounds lying in a circle, dancing, staring into camera, and so on. The film then cuts to Nicole Kidman—as the film’s heroine Isabel Archer—in 1870s England, dressed in period garb, frizzy hair severely curtailed, and hiding away following an unwanted marriage proposal. The film’s opening minutes nicely encapsulate Campion’s interest—an interest that pervades her filmography— in women both past and present, their spirits and agency, and attempts to domesticate and discipline them by various, frequently patriarchal entities.
Continue reading “Aussiewood: The Portrait of a Lady (1996)”