Director: Gregor Jordan
Stars: Heath Ledger, Naomi Watts, Geoffrey Rush, Orlando Bloom, Joel Edgerton
Second viewing, via DVD
This week marks the 137th anniversary of Australian outlaw and beloved anti-hero Ned Kelly’s doomed last stand at Glenrowan, Victoria. In June 1880, Kelly and the other young men comprising the Kelly Gang—brother Dan Kelly and friends Joe Byrne and Steve Hart—fought police at Glenrowan Inn wearing their now-iconic DIY head and body armour. Byrne, Hart and the younger Kelly were killed during the siege; Kelly himself was wounded and arrested, and would be hung in Melbourne Gaol in November that year.
Continue reading “Ned Kelly (2003)”
Sport has long occupied a key place in Australian culture. As noted by Daryl Adair in his essay ‘Making sense of Australian sport history’, the earliest British migrants used sport to maintain links with their country of origin, while subsequent generations helped forge a national identity on the world stage via their sporting prowess. Adair also notes that Australia’s coasts and surf culture have facilitated an array of water-based sports, and in recent years the AFL, among others, has contributed to the reconciliation agenda as a prominent employer of Indigenous athletes. In light of this national pastime, this week Down Under Flix spotlights three sports-centric films from the late 1970s and early 80s.
Continue reading “This Sporting Life: Dawn! (1979), The Club (1980), and The Coolangatta Gold (1984)”
This week’s review pairs two youth-centred Australian films of very different vintages and aesthetics. 1987’s The Year My Voice Broke is a traditionally-shot, rural-set period film (though originally shown on television) directed by John Duigan (Sirens) and produced by Mad Max creator George Miller. The film earned several Australian Film Institute Awards including Best Picture and Director, and a restoration of the film is scheduled to screen as part of next month’s Sydney Film Festival. In contrast, 2015’s Stanley’s Mouth is a non-traditionally shot, micro-budgeted, urban-set contemporary drama from independent director Mike Retter. The film screened at the Adelaide Film Festival in 2015 and is freely available on YouTube in several different formats.
Continue reading “Joint Review: The Year My Voice Broke (1987) and Stanley’s Mouth (2015)”
Director: Scott Murray
Stars: Katia Caballero, Keith Smith
First viewing, via VHS
Scott Murray is one of the premier commentators on Australian cinema. He’s best known as editor and contributor to Cinema Papers and Senses of Cinema, as well as for editing, authoring, and contributing to various volumes on Australian film, including one particularly indispensable resource for my work on Down Under Flix, Australian Film 1978–1994. In the 1980s, Murray directed the film Beyond Innocence, also known as Devil in the Flesh. It was both his theatrical feature debut and swansong, though he’d later helm a music documentary, Massenet: His Life and Music.
Continue reading “Beyond Innocence (1989)”
Director: Charles Chauvel
Stars: Errol Flynn, Mayne Lynton
First viewing, via DVD
Following my earlier tag team reviews of Ghosts … of the Civil Dead (read here) and The Wannabes (read here), this week I team with another friend and contemporary to review the oldest film (thus far) covered on Down Under Flix, 1933’s In the Wake of the Bounty. Directed by Charles Chauvel and starring Errol Flynn, the film chronicles Fletcher Christian’s mutiny against William Bligh on the HMS Bounty and pays an anthropological visit to modern day Pitcairn Island. I’m joined below by Flynn enthusiast and scholar Michael X. Savvas.
Continue reading “Tag team review: In the Wake of the Bounty (1933)”
This week brings one last look at Australian comedies from the noughties, no doubt to some readers’ reflief and other readers’ chagrin. Previous entries grouped films according to theme – romantic comedies, music-centred comedies, small town comedies, with The Wannabes straddling the former two categories – but this week spotlights the three best films (in my opinion anyway) of the series: a sly little comedic thriller, a road movie dramedy headlined by two iconic Australian comedy stars, and a polished mainstream confection.
Continue reading “Final 2000s comedy round-up: Under the Radar (2004), Charlie & Boots (2009), A Few Best Men (2011)”
The last few comedies covered on Down Under Flix – The Night We Called It a Day, BoyTown, The Wannabes – took place in urban settings and dealt with the lives, longings, and lacerations of showbiz personalities. This week’s featured comedies are set in rural locales and deal with the lives, longings, and lacerations of small town battlers. These depictions of small town life and struggles are less Welcome to Woop Woop, more Danny Deckchair, erring towards the quaint and cute and romanticising small town living while still articulating the anxieties and concerns of regional communities.
Continue reading “Small town comedy triple review: The Nugget (2002), The Honourable Wally Norman (2003), and Strange Bedfellows (2004)”